Posts Tagged ‘music’
Just Like
The Grammy Award for Song of the Year went to Bonnie Raitt on Sunday night for the title song of her latest album, “Just Like That.” I’m willing to bet that most of you haven’t listened to the song. I hope you will use five minutes of your time to listen while following the lyrics. She has written a precious heartstring-puller.
Before you decide to focus on the song, watch this video of her reaction to the announcement of her win and hear her acceptance speech:
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You can read the lyrics while listening to the song here:
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You might want to have a tissue handy.
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Caught Up
For a day or two now, we are caught up with mowing all that is growing at the peak rate typical for June. Yesterday was a perfect day for cutting grass with the lawn tractor. It was dry with a nice breeze and the grass wasn’t overgrown. I was able to mow at high speed, there were no piles of clippings, and the finish looks top notch. I will enjoy it for the rarity it was because I regularly find myself facing one or multiple versions of cutting complications.
Cyndie raked the clippings in the labyrinth after giving them a day to dry out and it is looking its best, as well. Did I mention that, after a good night’s sleep, Cyndie was feeling back to her healthy old self?
I tried wearing my earbuds under the earmuff hearing protection I wear while mowing because I am caught up in a Kris Kristofferson song from 1976 that I just heard for the first time. I’m contemplating trying to memorize it so I can create my own version to play and sing.
“There ain’t nothing sweeter than naked emotions
So you show me yours hon and I’ll show you mine”
I heard Shannon McNally’s version first and then searched for the song origins and found both Kristofferson’s and Willie Nelson’s two versions. It amazes me that I haven’t come across this song sooner in the 46-years since it was written.
All credit goes to MPR’s “Radio Heartland” on the HD2 subchannel of KNOW’s 91.1 MHz. I rarely pursue music beyond my personal library collection anymore, so exposure to new music is mostly limited to what I hear on the radio when traveling in my car. My tastes have begun to age out of MPR’s “The Current” at 89.3 MHz FM so more and more I find myself migrating to the primarily acoustic, singer-songwriter, folk, and Americana offerings on “Heartland.”
“And I wish that I was the answer to all of your questions
Lord knows I know you wish you were the answer to mine”
I am enjoying that this song has finally caught up with me after all these years.
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Still Works
I have no recollection of the last time I hooked up my old stereo equipment, but every ten years or so isn’t a bad plan for a trip down memory lane. The old Marantz 2220B that I bought in the late 1970s from Midwest Stereo when I was probably 19 or 20 years old is still functional.
I’m thinking it has been on a storage shelf in the basement since we moved here in 2012. I might have set it up one time shortly after we arrived, but I can’t be certain. Brings back wonderful memories of the years when it was the center of my audio components setup.
I never was able to invest in constant upgrading of components that would have earned me a spot in the “audiophile” club, but treated my equipment like it was worthy for the majority of the time it was in service.
Cyndie authorized use of the dining room table for a temporary setup of the old turntable so I could spin some of the more unique albums she is looking to get rid of soon.
The platter spins, but not exactly at a constant speed. It has a built-in strobe and speed adjustment dials but the control is rather unsteady and the speed never completely holds at the spot it has been set. Oddly, it will randomly stray in either direction, fast or slow.
Regardless, I’m not listening in audiophile mode anymore and close is good enough. After checking out Leon Russell doing a classic “Youngblood/Jumpin’ Jack Flash” medley on the “Concert for Bangladesh” album, I moved directly to the one album from our old collection that I haven’t been able to find in digital form: “The Coyote Sisters” (1984). Leah Kunkel, Marty Gwinn, & Renée Armand.
If I can buy a recordable CD and figure out how I once did this, it would be nice to convert the album to digital so I can add it to my electronic library.
It is rare that I ever listen to full albums these days. I usually set my source to shuffle all the songs in my library and use the skip feature if it picks one I’m not in the mood to hear.
Another treasured LP from my collection is Eric Clapton, “At His Best” (1972) compilation. I found that the double album had two songs that were dinged up enough the needle would get stuck in a loop. That’s okay because I also figured out I just needed to download one album that wasn’t already in my digital library to get all the versions of songs on that “At His Best” album. Then I created a playlist in the exact order, named it, and assigned the album art for the icon.
Honestly, I think it’s a good thing I didn’t end up becoming a particularly picky audiophile.
At this point, I tend to hear most of my favorite songs in my mind even when they aren’t playing through my ears. I hardly use the sound from speakers except to trigger my mental files to play the version stored in the catacombs of my mind anyway.
It will be nice to have a refresher for the Coyote Sisters songs I haven’t heard in many years.
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For Free
It has been a while since I became enamored with an entire album of recorded songs by a particular artist. With everything coming at us in streaming form these days, listening to a complete album seems a little archaic. Doing so throws me back to my days working in a record store and devouring music on vinyl LPs, one side at a time.
This month I was lucky to stumble upon news of David Crosby releasing his latest effort, titled “For Free.” I navigated to my Apple Music account for a listen and a day later found myself replaying the chorus of the opening song in my head as a pleasing earworm. I always take this as a good sign when I’m not yet familiar with a song but my mind is already hooked on a part of it.
Very often the song that does this for me aligns with the eventual “hit” song that ends up achieving radio play and wide popularity, but not always since my tastes are a little broader than average.
That pleasant looping refrain in my brain usually leads me to follow-up listening sessions and with “For Free,” doing so quickly hooked me on multiple cuts. I’m a fan of most music David Crosby has created and thoroughly enjoy the sound of his singing.
One aspect of his vocal sound on this album impressed me for the way it belies his age. David is almost 80 and can still sing like his younger self. At the same time, I detected occasional words with a pronunciation that hinted he’s not 29 anymore, but instead of that being an unpleasant aspect, I’m finding it more endearing and intimate when it occurs.
The lyrics are engaging, the musicianship inspiring, and David’s familiar singing voice a true gift to the ears.
His collaboration with Sarah Jarosz on the title track cover of Joni Mitchell’s song is a gem and provided my first introduction to her artistry. I’ll be exploring her recordings in the near future, for sure.
Several places throughout multiple songs I found myself enthused with the enticing momentum provided by a pleasing bass and drumset energy, for which I assume Crosby’s son James Raymond deserves credit as album producer.
I’m consuming this album in numerical order from beginning to end, on repeat. If you are a music fan with any appreciation for David Crosby, I invite you to give the whole album a full listen.
The old man turns 80 in August, for heaven’s sake. Everyone should hear what he is still doing at this age.
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Music Memory
As a latter-baby-boom fan of record albums, I have a number of milestone music memories from my coming-of-age years moving between middle school to high school in the 1970s. Admittedly, having four older siblings as in-home influencers contributed greatly to my exposure to music that was older than my years. The burgeoning rock scene of the Woodstock era was a little beyond my 10-year-old self, but the allure of the music was well-established by the time I reached my mid-teens.
Cyndie and I were recently gifted with access to Apple Music by our kids. The welcome message from Apple points out my song collection is now 60-million strong. This is a gift the kids will have a very difficult time surpassing in the future. Maybe a fiber-optic line of unlimited data access to our home in the rural countryside could top this, but that’s pretty far beyond the ability of individuals to achieve.
As it is, we are able to sip new downloads through a tiny straw on our current data plan.
However, my connection at work offers an alternate avenue for adding songs to the library on my phone. Yesterday, I downloaded the America album, “Holiday.” That record was released on my 15th birthday at a time when my interest in their acoustic guitar sounds and vocal harmonies was very strong.
It was to be my time. New music that was current to my adolescence. However, reality didn’t quite match my expectations. The band was evolving and I was disappointed.
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I liked the way they looked on their first album. I am embarrassingly influenced by album cover art. (Duly noting the incredible insensitivity of the somber indigenous tribesmen behind the gleeful white trio under the dual-meaning “America.”) The old-timey photo on “Holiday” didn’t appeal to me one bit.
The new album had less strumming acoustic guitars and more theatrical clarinet.
I tried to like “Holiday.” There were a couple of songs that wowed me, but the majority didn’t, despite listening to it over and over again. When I moved from LPs to CDs, “Holiday” didn’t get replaced. I haven’t heard most of these songs in 40-some years. Now, with the convenience of digital access, I get to revisit my youth.
Listening to the album again triggered a lot of memories. Riding in the back of a station wagon packed with teens and someone turning up the radio for the song, “Tin Man” and shooshing everyone because “John’s song” was on.
But, I wanted “Horse with No Name” and “Riverside” not “Sister Golden Hair” and “Muskrat Love.”
Luckily, at the time, I also had “461 Ocean Boulevard,” the return of Eric Clapton to recording after recovering from a 3-year addiction to heroin.
I’m looking forward to mining more lost gems and their associated memories of my youth among the other 60-million songs that hopefully include a wide variety from the 70s.
Thank you, Elysa and Julian! This was a brilliant choice for a gift for us both.
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Lifting Spirits
Amid the glut of dramatic economic distress and virus fears in the news every minute, there continue to appear glimmers of calm and inspiration. I can’t add any words to enhance the wonderful a cappella collection of student voices from Rome singing a Crosby, Stills, & Nash song that has been in my repertoire since the early days of my acquiring an acoustic guitar. They deserve your full attention.
Hat tip to Howard Rheingold for pointing me to this gem.
Claim a few minutes from the calamities of your day to sit and enjoy this. It is a worthy distraction.
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I’m going to find it difficult to sing this song alone from now on after having watched them.
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Look Ahead
Take a break from the growing fear and uncertainty embedded in the crest of this pandemic wave rolling across the globe and look ahead to the day when it will be a block of time in history. Turn off the news. There will be updated reports awaiting you in the morning. Check those and then get on with your day.
There will be a day when you once again get to hug those you love. Look forward to those moments.
My friend, David Keiski wrote a song about it and performs in this video he created for us all to enjoy at a safe distance. Let his words ring across the world!
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Don’t be embarrassed about deciding to set it on “repeat.”
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Celebrating MacPhail
Last night we met Cyndie’s parents downtown in Minneapolis again, this time at MacPhail Center for Music, where our daughter, Elysa, is Manager of Student Services. It was MacPhail’s annual appreciation dinner for supporters, which included a couple of award presentations and showcased some incredible student musician performances.
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Board members even showed off their singing chops with an enthusiastic rendition of a holiday classic, to which I’ve already lost the memory of the title. Student music performances included a group of harpists, an electronically enhanced cello and flute duet, a pair of powerful young singers with opera voices, a demonstration of a typical group lesson for beginning young cellists, and a smooth couple of songs from their Dakota Jazz Combo ensemble.
I’m a little biased, but the highlight for me was visiting Elysa’s office while we were there and seeing that she has Beatles figures staged in her bookshelf. It was also a treat to witness a glimpse of her workplace in action and meet some of the people she works among.
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One additional surprise bonus was the unlikely chance sighting of a fellow Tour of Minnesota cyclist, John Toomey, who also happens to be a MacPhail student and often uses rehearsal space there. What are the odds we would cross paths in the short time we both happened to coincidentally be near the main entry last night? I would say, long.
We are proud of Elysa’s many years of contributing to the success of an organization that is improving the world via music, “transforming lives and strengthening communities through exceptional music learning experiences that inspire.”
It certainly inspired me, providing hope that good will triumph over evil from the transformations MacPhail is producing in so many lives.
Music makes the world go ’round, and MacPhail is making sure the world will keep spinning.
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