Relative Something

*this* John W. Hays' take on things and experiences

Posts Tagged ‘The Ordway

Weather Swings

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What a remarkable difference a week can make this time of year. Last Sunday, we were being blasted by a blizzard that disrupted much of normal life for a day or two. Elysa was supposed to fly home from Florida on that Sunday, but after her flight was canceled, the next available seat on a plane was the following Thursday. Cyndie and Marie were able to make their scheduled flight on the Monday after the storm, but reported that a fellow who had a first-class seat on a canceled flight ended up sitting behind them in the cramped back of their plane.

Yesterday, we enjoyed record-setting warmth with temperatures in the upper 70s (F) that forced us into T-shirts to cope. Overnight, everything swung back in the other direction, and we bundled up against the wind chill to tend to the horses this morning.

The swift change back to chilly air had the horses a little “hangry” when we showed up at the barn. Even though they most often demonstrate impressive patience with us when we are going through the paces of our feeding routine, there are days when they clearly communicate their wishes for us to deliver with a little more urgency.

Yesterday’s beautiful weather was ideal for our adventure in St. Paul with Barb and Mike. After a short walk around Landmark Plaza and Rice Park, we had burgers at Herbies, where I was able to catch the third period and overtime victory by the Wild over Dallas on their many TV screens.

Our dinner location was strategically chosen because it is right next door to the Ordway, where we had tickets to see Classic Albums Live for the third time since we discovered them.

We were thoroughly wowed by this concept the first two times we saw them performing Abbey Road and Sticky Fingers. Last night’s crew performing the Eagles’ Greatest Hits 1971-1975 came up a little short of the level of perfection we had enjoyed the first two times. Still, the concept is brilliant, and the entertainment value is top-notch.

Now I can switch back to the March Madness basketball games mode. I’ll need to catch up on what I missed yesterday and prepare for the women’s Gopher team playing their second round game today. Staying indoors to watch sports on TV is a lot easier to justify when the weather isn’t so inviting outdoors.

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Classics Live

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Oh, what a night! Cyndie and I met our friends, Mike and Barb, in St. Paul last night for dinner at Kinkaid’s and a fabulous performance by Classic Albums Live (CAL) doing the Rolling Stones’ “Sticky Fingers” at the Ordway Center for Performing Arts. I can’t say enough about CAL’s formula of presenting a pristine rendition of classic rock albums live on stage – “note for note, cut for cut.” It is truly exhilarating to experience.

It was a beautiful October night in the Capital city, although getting there was made more complicated by road construction and increased traffic due to simultaneous MN Gopher football Homecoming and MN Wild NHL hockey games happening.

Rice Park downtown was full of life.

Most of the people around us were headed to the hockey game, but at the Ordway, we found a crowd of like-minded album fans all fired up to relive our past by listening to Sticky Fingers together live. It’s like we were teenagers in our bedrooms again, listening to a record until we had every note, every pause, imprinted in our minds for decades to come.

It occurred to me that the CAL musicians are pulling off something that the original artists probably rarely, if ever, have done. When recording albums, the artists were in studios and laying down multiple tracks with a variety of effects to create their masterpieces. After that, the songs get mastered by the Producer to fine-tune output levels and dynamics. The band and the Producer will settle on a track order that won’t necessarily have anything to do with how hits are performed live by the group for the rest of their careers.

Classic Albums Live musicians are so committed to authentically recreating the albums live on stage that their performances more closely resemble a classical music ensemble recital than a rock concert. The musicians dress in black to minimize attention to themselves, and they don’t try to mimic the original artists’ looks or performance styles.

They excel at recreating every note and sound (mistakes included, if there were any on the album), which can get complicated sometimes on multitrack recordings. The CAL performers become adept at quickly grabbing a shaker or cowbell to come in at just the right moment while still playing their other instruments.

One of the more difficult tricks they pull off, which the original artists likely never faced, is rapidly changing instruments in the limited time available during the pause between songs on an album.

We have become such fans of this concept (we previously saw CAL perform The Beatles’ Abbey Road) that we stopped at the Box Office before last night’s show to purchase tickets for the next time CAL will be at the Ordway. They are doing The Eagles – Greatest Hits in March of 2026.

As if Canada needed one more thing to be proud of, they have given the world of album lovers the greatest gift in Classic Albums Live. I tip my tuque to the founder, Craig Martin, for over 20 years of this superb concept.

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Written by johnwhays

October 12, 2025 at 10:30 am