Relative Something

Oh, what a night! Cyndie and I met our friends, Mike and Barb, in St. Paul last night for dinner at Kinkaid’s and a fabulous performance by Classic Albums Live (CAL) doing the Rolling Stones’ “Sticky Fingers” at the Ordway Center for Performing Arts. I can’t say enough about CAL’s formula of presenting a pristine rendition of classic rock albums live on stage – “note for note, cut for cut.” It is truly exhilarating to experience.

It was a beautiful October night in the Capital city, although getting there was made more complicated by road construction and increased traffic due to simultaneous MN Gopher football Homecoming and MN Wild NHL hockey games happening.

Rice Park downtown was full of life.

Most of the people around us were headed to the hockey game, but at the Ordway, we found a crowd of like-minded album fans all fired up to relive our past by listening to Sticky Fingers together live. It’s like we were teenagers in our bedrooms again, listening to a record until we had every note, every pause, imprinted in our minds for decades to come.

It occurred to me that the CAL musicians are pulling off something that the original artists probably rarely, if ever, have done. When recording albums, the artists were in studios and laying down multiple tracks with a variety of effects to create their masterpieces. After that, the songs get mastered by the Producer to fine-tune output levels and dynamics. The band and the Producer will settle on a track order that won’t necessarily have anything to do with how hits are performed live by the group for the rest of their careers.

Classic Albums Live musicians are so committed to authentically recreating the albums live on stage that their performances more closely resemble a classical music ensemble recital than a rock concert. The musicians dress in black to minimize attention to themselves, and they don’t try to mimic the original artists’ looks or performance styles.

They excel at recreating every note and sound (mistakes included, if there were any on the album), which can get complicated sometimes on multitrack recordings. The CAL performers become adept at quickly grabbing a shaker or cowbell to come in at just the right moment while still playing their other instruments.

One of the more difficult tricks they pull off, which the original artists likely never faced, is rapidly changing instruments in the limited time available during the pause between songs on an album.

We have become such fans of this concept (we previously saw CAL perform The Beatles’ Abbey Road) that we stopped at the Box Office before last night’s show to purchase tickets for the next time CAL will be at the Ordway. They are doing The Eagles – Greatest Hits in March of 2026.

As if Canada needed one more thing to be proud of, they have given the world of album lovers the greatest gift in Classic Albums Live. I tip my tuque to the founder, Craig Martin, for over 20 years of this superb concept.

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